Cherub // MoM & DaD

An open letter to Cherub –

Jordan Kelley and Jason Huber don’t stop! When I listen to your music I get it. Yes, it is on the surface party music. It is the pimped-out-wanderlust-fantasy-come-true of two young men from Tennessee. Two guys, who at some point met, became homies, and somewhere along the way gelled into what we know of today as Cherub. But behind, or beneath the party music there lives the heart and soul of your humanity, of what is near and dear to both of your hearts: family and friends and having a damn good time. With your debut album I partied with you, and I shared your music with as many people I thought were cool enough to appreciate it. There were many. Yes, Man of the Hour was indeed some blunt smoking funky sex music. I lit candles to it, and poured drinks aplenty, and as I seduced them one and all, you guys were serenading their feminine libidos (by the way, a Cherub song can be KY Jelly too), and for that I thank the both of you.

But this new joint, this album MoM & DaD, well it’s different. If Man of the Hour was putting down your pimp hand and poppin’ ya colla’ then MoM & DaD is by various degrees different. Different in a good way. This one is mature, while still playful. It’s the good stuff in the locked liquor cabinet.

The first song, “What I Want” is reflective, and has a maturity which sets the tone, it says in quiet whispers, “Yeah, we’re having fun, but we still know where the fuck we come from?” And whether or not we’re sky high on some good dro or chasing ass, when the smoke clears and the crowd is long gone we’re still grounded, blessed and thankful. Up next is “Dear Body” and “You, Me, and Jodeci” I get the feeling these two songs had a ménage à trois with Prince’s Dirty Mind album before they wrote themselves into existence. The next three tracks “La Casa Del Obispo”,  “XOXO” and “Monogamy” sound like a return of the salaciousness I admired on MOTH. Up next, the song “Roxxy” is bathed in the Dirty South vibes that spawned Goodie Mob and Outkast, although they don’t do rap music it has that trunk thumping attitude and swag. And then we stumble upon one of my favorite tracks, “Doses and Mimosas” and this one is a crass finger-fuck to all the haters and naysayers you’ve met along your climb to fame and big $$$’s. There is nothing like a good kiss-my-ass song to get the adrenaline going. Then we have “Hold Me” Ft. Dominic Lolli, which is the last fast dance before the album falls into chill mode, where the next song, “Lyndenberries”creeps into nostalgia and holds a lighter up. It is here that we know you guys are so appreciative of what has come your way. Or rather this dream is what you have both chased down doggedly and manhandled into reality. The song, “All” (Ft. Natalie Prass) is all seduction, this song is a dab of Chanel No. 5 behind her ear or it’s powerful hands pulling off her panties. It’s the kind of song you want to call up in the middle of the night just to hear it breathe against your love muscle (heart).

And finally we arrive at the last song, “Don’t Forget Me” it may be the final song on MoM & DaD, LP, but I suspect it’s only the beginning. Peace. Continue reading “Cherub // MoM & DaD”

Trust // Sulk

Yesterday (February 28th) Maya Postepski and Robert Alfons the Toronto-based duo Trust dropped their 2012 full length debut TRST. And so I thought you may like a listen. I mean, I could be so wrong because you may not like robust and darkly groovy musical fare that’ll make you move something otherwise used for sitting on. Oh, I am such the mischievous music reviewer aren’t I? Don’t answer that. You can purchase TRST on iTunes or Amazon. Peace. Continue reading “Trust // Sulk”

Kele // What Did I Do // Ft. Lucy Taylor (All The Lights Remix)

Propaganda aside, Kele Okereke (of Bloc Party fame) is still with Bloc Party. That being said, you can check him out doing his solo thing.  His first solo effort The Boxer (2010) was met with moderate success, then Kele dropped his follow-up The Hunter (2011). Now, even if you missed all that it’s cool. Kele is still with Bloc Party, and you can still check out his newly reworked remix Ft. Lucy Taylor. I think it’s a winner, but hell what do I know. Peace. Continue reading “Kele // What Did I Do // Ft. Lucy Taylor (All The Lights Remix)”

Conduits //

March 20th is fast approaching for the release of the 9-song album from the band Conduits. Right now it  is available as pre-order at  online shop. Yes, there are  two options: CD digipack or 12″ vinyl + CD wallet. I love vinyl so my decision is an easy one. What will you get? Doesn’t matter, I’m just being nosy. Peace. Continue reading “Conduits //”

TOPS // Rings Of Saturn

The more I hear of the band TOPS the more I’m inclined to want to hear more. Check out the band’s new Jasper Baydala directed video for the song “Rings Of Saturn” which is a beautiful song with a past/present feel to it, and the home/movie/made quality of the video lends itself handsomely to that duality. After watching the video, all I have to say is, I wonder what’s in the punch? Peace. Continue reading “TOPS // Rings Of Saturn”

iamamiwhoami // sever // drops // Video

When watching or listening to the audio/visual projects of iamamiwhoami right away you know you’ve stumbled off the beaten path, and so far it’s a good thing. Here, in the artsy landscape of iamamiwhoami you’re constantly discovering something, if not special, then at a bare minimum interesting. Swedish singer/songwriter, and dare I say performance artist, Jonna Lee appears to have tapped into a fantastical world where reality is highly stylized and emotionally revelatory. It isn’t a hard guess to determine that many how the works are concerned about facing one’s fears and being vulnerable. And in this latest round of songs/videos we are treated to a barely clad (vulnerable)  JL and she’s bringing an entire arsenal of emotion to bare. Immediately you get a sense of barely restrained trepidation, and that better days are long past and longed for. Then there is the matter of the hairy beast man thingy and it’s right out of a Jeff Soto painting. What does its presence represent? Fear? Undefined desires? Indecisiveness? I suppose the proper artsy response would be to interpret, or intuit it in whatever way you want to. And so we’ll leave it right there. Enjoy this duo of videos, and come back and visit again for the next installment of corresponding acts, the songs/videos “good worker” and “play” will be out soon. And, you we can anticipate the album Kin, which is scheduled for a June 11th release. Peace.  Continue reading “iamamiwhoami // sever // drops // Video”

lambchop | gone tomorrow


 
I cannot think of another singer/songwriter/guitarist with a more tranquil voice as that belonging to Kurt Wagner of Nashville’s perennial country band Lambchop. His vocals are at once old-timey speakeasy and by turns possess a mellow dangerous magic. On the bands 11th release Mr. M you get treated to more of what you expect from this subtle powerhouse of strings and twang. And with beautiful songs like, “If Not I’ll Just Die” and “Gone Tomorrow,” I think it’ll be hard not to want this for yourself. Also, you can stream the Mr. M album release for a limited time at Merge Records. Enjoy. Peace. Continue reading “lambchop | gone tomorrow”

nina kraviz // ghetto kraviz

Even if Muscovite Nina Kraviz wasn’t scintillately hot would I still gravitate towards her music? Hell YES! Although she is quite the eye-candy, it her skills as a DJ/Producer/Vocalist that’ll keep you drooling on dance floors or in the comfy confines of your very own chill pad (hopefully not alone). Ms. Kraviz’s sound is a pleasant mix of bare-bones house, the old school Detroit house variety. Throw in a smidgin of R&B, add Nina’s adroit and honey dripping vocals and you got an album to be reckoned with. I know you’re feeling this, so cop it at iTunes. Peace. Continue reading “nina kraviz // ghetto kraviz”