james vincent mcmorrow | cavelier | kiings remix | lyrics


 
The music crafted by the beloved James Vincent McMorrow is beautiful as is, yet along comes the very capable producer Kiings and he makes JVM’s track “Cavalier,” simply transcendent.

Rarely does it get any better than this, no? Kiings ferrets and teases out a sultry orchestration resplendent with sinful sounds which instantly elevate the already gospel-tinged and spirit-esque vitality of James’s pristine vocals and lays it atop such unadulterated brashness. Each beat is a masseuse’s deft fingers working it all out until your ears hang their heavy head wrung out but alas sated. Staccato beats provide steam engine propulsion, taut synth work urge a listener towards the 7th deadly sin and your ears relish within it endlessly.

I am definitely looking forward to more of the Kiings experience, this guy he is going places and all of them
point heavenward. Peace.

P.S. Many thanks to my beautiful muse Teddi Stavee, you can whisper sweet nothing in my ear any time. Continue reading “james vincent mcmorrow | cavelier | kiings remix | lyrics”

our sunday best: james vincent mcmorrow | post tropical

james vincent mcmorrow  | post tropical
 
James Vincent McMorrow has no doubt released what will become one of the most talked about and listened to albums of 2014. Period. It is nigh impossible to argue contrarily against the bare beauty of this rural folksy falsetto meets electronica permutation.

The album opens with the stark and poetically up ending track Cavalier, this song alone is enough to slay the most rogue demon raging in one’s heart. A song which borders on the gospel, and with such grandiose breadth it sucks the literal air out of the room. Cavalier, oh how inaptly titled.

The Lakes is born through tectonic heart beats before they are dashed, coursing bloodied and bruised over the smoothly worn river stone of JVM’s lichen-crusted mewling. By song end, leaving only a memorable coppery and twangy feeling in your ears.

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And of course there is Red Dust, again you may wonder if William Butler Yeats is ghostwriting the lyrics unearthed from Mr. McMorrow’s soul. This ode would be at home sung out from the choir at St. Patrick’s Cathedral. So righteous. “Sometimes my hands, they don’t feel like my own, I need someone to love, I need someone to hold…” . Gooseflesh, no?

The track Gold, is as hopeful as Spring time, strewn with clover and dark-red Helleborine. All Points, Look Out and Repeating are all standard issue beauties from the McMorrow archived reverie of the tender and the true . That is until we come upon the latter three tracks. The title-track Post Tropical glistens star-like, inhabiting a haunted space lit by the lighthouse beacon of JVM’s understated singing. It possess cold tendrils and crashes upon rocks its white water and fury, before plummeting over shear cliffs into oblivion. Then there is my favorite track, Glacier. The absolute beauty of James’ voice is front and center here. Set in a call and response tug of war between music and voiced beauty, with hand claps aplenty. The sirens are calling, amid a pensive tuba the woodwinds are crying, and the crescendo builds ever higher before settling mist like and wounded. “I want to go south of the river, face it alone in the heart of the winter…”

The Post Tropical LP closes with Outside, Digging, which could be an ode, perhaps even a final goodbye and thank you to the recently departed Seamus Heaney. For Seamus Heaney penned a most excellent poem, Digging, and so I thought, well maybe. “There is little light from the warmth of the sun…”. Peace. Continue reading “our sunday best: james vincent mcmorrow | post tropical”